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The Meaning Of Pictures Six Lectures Given For Columbia U

 
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MessagePosté le: Sam 1 Juil - 00:10 (2017)    Sujet du message: The Meaning Of Pictures Six Lectures Given For Columbia U Répondre en citant



Excerpt from The Meaning of Pictures: Six Lectures Given for Columbia University at the Metropolitan Museum of Art

But the Dutch painters of the seventeenth cen tury were far more rigid sticklers for the fact than the Italians. Their work was essentially a portrait Of Holland and its people, as Fromentin has said, wherein faithfulness to the model was a primary con sideration. From Hale and Rembrandt down to Van Mieris and Schalken every Dutchman considered an Object as a plastic fact - a something not to be jug gled with, but to be rendered as truthfully as possi ble. Indeed, it was the Dutchmen who set the pace for all the modems in what is called realism. It was the five days upon a lady's hand - a day to each fin ger - Of Gerard Dou that suggested the ten days to a shoe-buckle of Meissonier. All the modern contin gent of genre painters and students of still-life who paint things that stand out are but a growth from the Dutch. The tradition has been handed down unimpaired, losing of its ancient positiveness, but rather gaining some latter-day exactness in the process Of transmission.

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The Meaning of Pictures: Six Lectures Given for Columbia University at the Metropolitan Museum of Art (Classic Reprint) John C. Van Dyke
The Meaning of Pictures: Six Lectures Given for Columbia University at the Metropolitan Museum of Art (Classic Reprint) full ebook The Meaning of Pictures: Six Lectures Given for Columbia University at the Metropolitan Museum of Art (Classic Reprint) book format djvu





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